All tagged Emma Cameron

Kicking Off Podcast Season 3: Episode #27, "Hug It Out"

Hi folks! Welcome to season three of the Official, One and Only Clear Eyes, Full Shelves Podcast!

Apologies for the long hiatus, but we had reasons. We've both done a lot of reading and watching television/movies during our time off, and we kept circling back to the idea of the way family relationships are portrayed. More often than not, it's hard for both of us to see familiar patterns and resolutions that feel "real." Obviously, as we mention in this episode, we only have our own experiences to draw on, but we also know we can't be alone. 

Remember, if you want to get your new episodes early, subscribe in iTunes, the show drops there about a day earlier than it does here. 

Enjoy!

Audiobooks: How I Came to Love Verse Novels by Molly Wetta

I’ve always loved poetry; I used to hate reading novels in verse. 

Part of my aversion to verse novels can be attributed to my first experience, which was Crank by Ellen Hopkins. The angsty, dramatic, dark story of addiction that is perennially popular with teenagers didn’t appeal to me at all. 

The sentences
just seemed so 
choppy.
The line breaks
nonsensical,
        random.

List-O-Rama: Tangled Like/Love/Lust That Doesn't Suck

I know, I know... the love triangle is everyone's favorite trope to hate. But sometimes... just sometimes, it's kind of fun/intriguing/compelling.

Here are a handful of like/love/lust triangles that I've enjoyed--seriously.

The "Summer" Series by Jenny Han: Belly, Jeremiah, Conrad

Triangle Type: The Classic - Two Brothers Heart One Girl; Girl Hearts Two Brothers--Yo, It's Complicated!
This series not only features a love triangle (and it's really "love") because Belly really cares about both brothers, Jeremiah and Conrad, and they care about her. Their shared history of summers spent together at the shore makes the complexity of the relationships completely believable--it's achy and the dramatics are irresistible. Read my review here.

Amazon | Goodreads

How has half a year gone by already? Seriously, 2012… slow down!

I thought I’d use this Sunday’s List-O-Rama to round up some of my most memorable reads thus far in 2012—and I am going to bug Laura, Renegade and Sandra to do the same. (We’ll see if they cooperate, the CEFS contributors are not known for their blind acquiescence.)

Published in 2012

Bittersweet by Sarah Ockler

YA Novels

Bittersweet by Sarah Ockler - This is definitely my favorite Sarah Ockler; I definitely connected with dynamics of growing up in a small down. {Review | Amazon | Goodreads}

The Fault in Our Stars by John Green - This book has been rather divisive, but I loved it—and I really affected by the TFiOS tour stop I attended.  {Review | Amazon | Goodreads}

Something Like Normal by Trish Doller - SLN is a book I’ve been recommending left and right to people—especially those who are afraid of reading YA. It strikes a perfect note of authenticity. {Review | Amazon | Goodreads}

 

Review: Cinnamon Rain by Emma Cameron

Cinnamon Rain by Emma Cameron

It stings—
sulphur tears
in cinnamon rain.

Emma Cameron’s Cinnamon Rain embodies the Trifecta of Awesome in my reading heart: a contemporary older YA, Novel in Verse, from Australia.

Fortunately, after a long (very, very long) wait for my order of this book from Fishpond, the Trifecta of Awesome didn’t disappoint—Cinnamon Rain is one of my stand out reads of the year. 

Cinnamon Rain interweaves the stories of three friends: Luke, Casey and Bongo (yes, Bongo—his real name is David). They live in a rural town in Australia, each hoping to escape their lives. Luke plays cricket, hangs out at the beach and pines away for Casey. Casey’s dream is to escape their town and everyone she knows, while Bongo drinks to avoid his abusive stepfather and the memories of his little brother taken away by social services. 

The whole group seems lifted
by one small success. 

Each character narrates a third of Cinnamon Rain (this seems like a more common narrative style in Australia than in the U.S. or U.K., am I right?), painting a rich picture of three lives in transition. We follow them separately out of their hometown in their first steps into adulthood. 

But somewhere in the mix,
I realise that
she’s not just running away.
Her life has focus.
I’ve got nothing.