All tagged Miranda Kennealy

Podcast #15: Great (Reading) Expectations

We're excited to bring you another episode of the Clear Eyes, Full Shelves podcast! We have such a good time recording the show and love that the podcast lets us dig into issues with more nuance than the blog format allows. 

In episode #15, Laura and I dig into the subject of reader expectations, the role of marketing in informing those expectations and the way consumers of creative works become intensely invested in those works. Please note, this episode was recorded prior to my writing this blog post; if it had been, we likely would have elaborated more regarding the notion of how we read, and if readers "owe" authors anything in that respect. 

As always, you can listen to the podcast by streaming on this page, downloading the MP3 below or by subscribing in iTunes. If you're an iTuner, we very much appreciate your rating and reviewing the podcast, as it helps us to show up in iTunes searches. We're also now on Stitcher Radio, so if you prefer that app, you can subscribe here. 

Review: Stealing Parker by Miranda Kenneally

Stealing Parker by Miranda KenneallyI am not one to seek out books I know I won’t like—that’s not how I roll. Despite that my negative reviews generate more pageviews and more comments, I have zero interest in reading things that don’t appeal to me. There are far too many books in the world to waste my precious reading time that way.

As a result of that, I know some of you will be surprised that I read Stealing Parker after Miranda Kenneally’s debut, Catching Jordan was a quick “did-not-finish” book, due to its ridiculous implausibility and extremely troubling themes. 

Nevertheless, I couldn’t resist trying Stealing Parker, as I am desperate for a quality sports-themed read and I’ve grown to adore baseball. (Guess who saw a perfect game—in person—this summer? That’s right, this girl!) Unfortunately, while I did finish Stealing Parker, it was a struggle. I am certain many readers will enjoy in this book, but for me it was too shallow and too inauthentic to recommend.

Seventeen year-old Parker is a former high school softball star who quits the team, loses 20 pounds and starts kissing inappropriate boys after her mother announces she’s a lesbian and moves away to live with her girlfriend. Her mother’s news scandalizes Parker’s conservative small town and particularly Parker’s family’s church community.

In this slim novel, Kenneally attempts to tackle all of the issues Parker faces, including crises related to faith, family and friendships—not to mention Parker’s extremely ill-conceived flirtation and eventual relationship with the baseball team’s new assistant coach.

The storyline about Parker’s strained relationship with her mother and the resulting fallout in the family’s community is the most compelling and authentic.

This news rips apart Parker’s family, and in her conservative small town people are quite unkind and my heart sort of broke for Parker as she feels so very lost as her old friends push her away and her family crumbles.

The day Laura told everyone I was probably just like my mom— a butch softball player who probably likes girls— Drew crawled into my bed and held me until I cried out every tear in my body. He held me all night long. Even with everything that’s happened to me, I have to thank you for letting me keep Drew. Written on February 17; kissed and tucked away in my Bible.

Unfortunately, this is only a small piece of the main storyline—it pops up here and there when Parker reflects on her attempts to be a better girly-girl (she spends a lot of time tangling her hair in a specific way that is apparently very appealing to teenage boys), and the end of the book deals with her reconciliation with her mother—but that’s not the meat of Stealing Parker. 

I have recently embraced the DNF (did not finish). I used to slog through books I hated simply because I, in some weird way, felt like I owed it to the book to finish it. 

I now realize this is a ridiculous perspective. 

If a book’s not working for me, despite that everyone else seemingly loves it, I drop it. These books go into one of two piles:

  1. DNF; or
  2. On hiatus.

 On hiatus books are those I plan on revisiting—maybe I’m not in the mood for the genre, but I suspect I’ll enjoy it later. Or, perhaps it’s really long, but I care about what happens, but need to take a break from spending so much time within the space of that book. DNF’s are those I drop like a hot potato.