All tagged Media

Podcast Episode #25 - Chatting with Courtney Summers About Everything, Part 2

We were lucky to recently spend over three hours (!) talking with noted Supernatural expert Courtney Summers. (We hear she writes books too.) We covered a range of subjects from zombies with fashion sense to writing characters experiencing trauma and everything in between. 

You can find the first part of this conversation over here--we highly recommend listening to them in order. In this episode, we chat about books, but we spend the bulk of our time talking about television and women's representation in media and the sticky issue of loving something that's at the same time imperfect and problematic. 

Links + Things: It's Finally Ironic, Women in Television, Good Deals on Print Books + More

Welcome to an unexpectedly lengthy edition of Links + Things! I hope you enjoy this roundup of interestingness on the web, and the special print-only edition of my book deal roundup. 

And! Happy early birthday to CEFS blogger Sandra, who's birthday is Sunday and a belated happy birthday to on-hiatus CEFS blogger Rebeca. Two to are 100% AWESOMESAUCE!

Video of Awesome!

My good friend Mookie sent me this phenomenal video made my two sisters who fixed Alanis Morissette's un-ironic "Ironic" song. This makes me unbelievably happy. 

Required Reading

“The question often goes misinterpreted and instead we get these two-dimensional superwomen who maybe have one quality that’s played up a lot like a Catwoman-type or she plays her sexuality up a lot and it’s seen as power,” she says. “They’re not strong characters who happen to be female—they’re completely flat and they’re basically cardboard characters.”
— Tavi Gevinson

Brenda Chapman (who's a very interesting person herself) highlighted an old (well, a year old)TED talk from Tavi Gevinson, teen blogger, and media sensation. She critiques the way "strong" female characters are developed as actually quite flat and uncomplicated and the real-life ramifications of these depictions. 

Today in Ridiculous B.S.: "The Julie Taylor Test"

Today, Laura tweeted a post from Salon's entertainment section, to which I reacted quite viscerally.

This (somewhat link-bait-y) piece is called "The Julie Taylor Test," referencing the daughter fo Eric and Tami Taylor on Friday Night Lights, and it's absolutely dripping with sexism. The author, Willa Paskin, asserts that bad acting can be identified by comparing the performer suspected of bad acting to Julie Taylor on Friday Night Lights, portrayed by Aimee Teegarden.

She argues, 

Enter the Julie Taylor Test, an easy way to identify bad TV acting: Ask yourself, is it  to imagine the inner life of this character? If no, is it possible to imagine the inner life of the characters surrounding him or her? It was all too possible to imagine the inner lives of every character on “Friday Night Lights” but Julie.

The thing is, using Paskin's own example, Julie Taylor has an immense inner life (watch The Giving Tree, S3E10, if you don't believe me).

However, her "inner life" is that of a teenage girl, so there are two strikes against Julie the character and Aimee the actress.

Review: Crazy Thing Called Love by Molly O'Keefe

My reviews of Molly O'Keefe's Crooked Creek Ranch series are probably starting to get a bit dull.

Here's a quick synopsis of the crux of each of my reviews,

Wow! These characters are fully fleshed-out, complex people. I completely believed in their romance because their path toward happiness was hard and took work, but the payoff was completely worth it! This pushes the boundaries of what we talk about when we talk about characters and stories in romance! Exclamation points!

Each of these three novels explores the path of challenging, driven, damaged people as they find happiness together. Crazy Thing Called Love features Madelyn (formerly known as Maddy), a rising star who hosts a morning talk show in Dallas, and Billy, an aging hockey enforcer whose career is at rock bottom.

Oh, and Billy and Maddy used to be married.

This is a scenario I usually would avoid reading, because generally speaking, it seems that relationships run their course for a reason, so the reconciliations generally read as superficial or not long lasting in the context of real life. However, in the case of Crazy Thing Called Love, the setup works. 

Billy and Maddy married young--way young--and while they were in love, they were also immature and their marriage was rooted in their mutual desire to escape their lives. Billy's hockey career was their ticket out.

Maddy left Billy, having lost herself and her identity amidst Billy's rising stardom and remade herself into a polished, confident local media star. But in a strange way, within her job she also loses a piece of herself, 

AM Dallas needed her to be the trusted, knowledgeable, well-dressed, and skinny best friend every woman in Dallas wanted to have. She didn’t have opinions, or outrage or passion. She smiled and told people about the delicious wonder that was gluten-free cheese.

Billy's in desperate need of a new image after spending the season riding the bench for the Dallas Mavericks (yes, this makes me snicker, because the Mavericks are a basketball team, not a hockey team). He has a lot of anger and bitterness and has the potential to go in a very dark direction. 

When Maddy's talk show proposes proposes a makeover of Dallas's notorious bad boy hockey player--clothes, hair, etiquette, the works--she balks, not wanting to revisit that part of her life and definitely not wanting her coworkers to know her past. But Billy embraces the chance to reconnect with his ex-wife.

Their forced renunion after 14 years is challenging, to say the least.

As a rule Billy didn’t believe in fate, but having her come back into his life when it was at its very darkest, that seemed important. Like something he shouldn’t ignore. Something he didn’t want to ignore.