All tagged Gabrielle Prendergast

Using Verse for “Adult” Content, by Gabrielle Prendergast (Guest Post)

Using Verse for “Adult” Content, by Gabrielle Prendergast (Guest Post)

Guest
Books, Verse Week

Anyone who writes in verse gets used to answering this question: “Why do you write in verse?” There are a lot of reasons of course, but one that I often talk about concerns the depiction of edgier material in books aimed at young readers.

Like it or not, our kids take drugs, self-harm, think about suicide, get abused, suffer from mental illness, are victims and perpetrators of violence, and lose friends. All of these dark topics are suitable for young readers, but may need to be presented in subtler ways than in adult literature. Verse is a way of achieving that. Its reliance on metaphor, sparse language, and contained form allow these issues to be explored without overwhelming the readers with heaviness.

Take sex for example. Not a dark theme (it’s fun and healthy!) but one that frequently raises eyebrows in relation to books for young readers. But again, like it or not, young people, teenagers, even pre-teens have sex drives and sex lives. Many YA books have a “fade to black” policy when it comes to sex. Characters might have sex, but rarely are the scenes depicted in any detail.

Verse Week Guest Post: Gabrielle Prendergast on Backstory & Writing in Verse

Verse Week Guest Post: Gabrielle Prendergast on Backstory & Writing in Verse

Sarah Moon
Verse Week

We're halfway through our annual Novel in Verse Week celebration here on Clear Eyes, Full Shelves and today we have verse novelist Gabrielle Prendergast who shares an inside glimpse on the challenges of creating backstory with the verse format. Enjoy! ~Sarah

One of the challenges for any author, particularly one who writes contemporary novels for teens, is the task of revealing backstory. Because I started out as a screenwriter, backstory, as it is frequently revealed in contemporary young adult books, does not come naturally. I tend to still see my stories as screenwriters do, as a series of scenes in a mostly linear narrative, so diversions into reminiscence feel awkward to write.

But backstory is critical, and in contemporary first person narrated young adult novels, it plays a huge role in getting to know the main character through their past actions and experiences. “Show don’t tell” is the mantra. Delving into the past allows us to see how the characters became who they are rather than them having to tell us.

Writing in verse, while it shares the conciseness and imagery of screenwriting, nevertheless is antithetical to screenwriting when it comes to inner life. In screenwriting it is a never ending struggle to reveal a character’s inner life, never mind their past, without resorting to flashback or voiceover. In verse novels techniques that are analogous to flashback and voiceover are essential. 

Links + Things: NPR examines publishing, all digital libraries, book clubs take over a casino and more!

Links + Things: NPR examines publishing, all digital libraries, book clubs take over a casino and more!

Sarah Moon
Links + Things

Traditional publishing versus self publishing! A book club extravaganza! All digital libraries! Amazon coins! (Huh?)

All that plus cheap brain candy and some other bargain book goodness in this installment of Links + Things.

Why Traditional Publishing Is Really In A 'Golden Age' (NPR)

"What has changed in a really exciting way is the ways you can get people's attention. It used to be one book review at a time, a daily review, maybe you get into Time magazine. Now there's, with the Internet, this giant echo chamber. Anything good that happens, any genuine excitement that a book elicits can be amplified and repeated and streamed and forwarded and linked in a way that excitement spreads more quickly and universally than ever before. And what I'm seeing is that really wonderful books — the books that people get genuinely excited about because they change their lives, they give them new ideas — those books can travel faster, go further, sell more copies sooner than ever before. It's just energized the whole business in a thrilling way."

Self-Publishing Now The First Choice For Some Writers (NPR)

...traditional publishers are in the business of not publishing books but of selling books. And there's a big difference there. So they seek to acquire books and authors who they think have the greatest commercial potential. But the challenge here is they really don't know which books are going to go on to become bestsellers. Only readers know that.

Laura pointed me to this two-part series on NPR this week about self-publishing versus traditional publishing. The traditional publishing side is representing by the incoming CEO of Hachette while the Smashwords CEO makes the case for the supremacy of self-publishing. Both have an agenda, but it's interesting that both are so enthusiastic about the future of publishing and its potential. It's a nice contrast to the doom and gloom stories we hear so often.

List-O-Rama: A Bunch of CEFS Reader-Suggested Backlist YAs

List-O-Rama: A Bunch of CEFS Reader-Suggested Backlist YAs

Sarah Moon
Listorama

We had such fantastic suggestions last weekend for backlist young adult novels that I had to spotlight them all into a list this week.

Thank you all for making to to-read list so enormous!

Small Steps by Louis Sachar (2006)

I may have ruined my life, but at least I got to eat some really good Chinese food.

Our friend Gabrielle Prendergast (whose book, Audacious, is one of our very much anticipated 2013 verse novels) suggested Louis Sachar’s follow up to Holes. I’m shocked I haven’t read either Holes or Small Steps because they really sound like something I’d like. All of the reviews say that you don’t need to read the first book to enjoy this one about a teen recently released from juvenile detention who’s trying to turn his life around in Austin, Texas. 

Gabrielle also suggested anything by Barry Lyga (I know she’s a huge advocate for Boy Toy in particular), Pete Hautman and  I am the Messenger by Markus Zuzak. 

 

{Interview} Gabrielle Prendergast on Novels in Verse

Sarah Moon
Interviews, Verse Week

Verse author Gabrielle Prendergast left the most awesome comment in the (not-so-long) history of Clear Eyes, Full Shelves, 

Love
This post
Like lemonade popsicles
I search for them
In freezers
and dingaling ringing ice cream trucks
At the water park on hot summer days
But only ever find them
Dripping sweet white
Icy cold summer
On my fingers
Past.

Gabrielle Prendergast

So, naturally, when she inquired about getting involved in our little celebration of novels in verse, we jumped on the chance to chat with her about why she loves the format and, um, Tim Riggins…

Gabrielle is the author of the middle grade novel Hildegarde (Harper Collins Australia), which was also made into a feature film, starring Richard E Grant. Her middle grade sports novel Wicket Season was published by Lorimer Publishers in March 2012. She lives in Vancouver, Canada with her husband and daughter.

Why do you write in verse?