All tagged GIllian Flynn

Recommendation Roundup: July 2014

Better late than never, right? I had a staggeringly good reading month, which included a couple of much-anticipated surprise sequels: Just Call My Name and Sinner. 

I also finally read Chuck Wendig's Under the Empyrean and and am retroactively mad that I waited so long to get to it--I'm currently listening to the audio of the sequel and it's even better, if you can believe that. I've been hitting my local library (have I ever mentioned that my house is on the same street as the library?) pretty hard and discovered a fun older Meg Cabot novel that's a great example of the epistolary format, if that's your jam, Boy Meets Girl. 

In other news, Sandra finally fixed her enormous oversight in never having read A Northern Light, and has rave after rave for the new Michael Koryta novel, Those Who Wish Me dead. And, Laura listened to the fabulous audio edition of The Coldest Girl in Coldtown--be sure to snag that if you're an audiobooker. 

Onward to the recommendations!

 

Gone Girl by Gillian Flynn: Horrible People Being Horrible - a review on Clear Eyes, Full Shelves

You probably know by now that I love a good thriller, so I bought Gillian Flynn’s much-buzzed Gone Girl with high expectations.

It’s received high praise, been lauded as a frightening portrait of psychopathy that’s brilliantly-written with twists and turns to rival Alfred Hitchcock. Glowing reviews snagged my attention and I bought it despite Sarah’s warnings that it may not be my sort of thriller.

A seemingly perfect, beautiful wife who is well-known as the template for a series of children’s books titled “Amazing Amy” and a husband, Nick, who’s become disillusioned with his life and his wife give some backbone to the claim that this suspense thriller will chill and thrill its readers. Amy and Nick Dunn finds them living where neither wants to be with no income other than Amy’s money from her parents who are as wacky and unlikeable as all the other characters in Gone Girl. In a rented McMansion along the Mississippi River they bemoan their fall from a life of luxury in New York, loss of jobs and their loss of passion for one another. Into this mix comes Amy’s disappearance on what should have been a celebration of their anniversary. 

This bland, yet strangly intriguing, plot concept could be viable, but it fell apart for me thanks to Gone Girl’s wholly despicable characters.

Amy aka Amazing Amy made her parents a great deal of money. They patterned her actions, her relationships with her friends, even her appearance into a series of books that found their way into grade school classrooms, libraries, bestseller lists and finally into the hands of nearly every child in the U.S.  But shocking as it becomes for the country, Amy the icon disappeared leaving her husband as the  prime suspect for her disappearance. Suspicion of murder becomes stronger with each weird clue that surfaces.

The first section of Gone Girl centers around the investigation into Amy’s disapearance. We discover that Amy is a mean-spirited, manipulative creature whose sole purpose is to make others miserable, to condemn everyone she comes in contact with and to sharpen her killer instincts with each ugly action she takes. Amy has plans and wickedly ugly and cynical thoughts to condemn anyone unfortunate enough to fall under her spell.

Getting into the mind of a person with no redeeming qualities does not make for an enjoyable read.