All tagged Debut

A Girl Called Fearless by Catherine Linka: Uneven, But Relevant & Gripping

I don't know if I suffered as severe of dystopian burnout as a lot of readers, largely because I'm self-aware enough to know that any faction-based world irritates the crap out of me, so I managed to avoid a lot of the popular dystopian-ish novels that hit the shelves in the wake of The Hunger Games' popularity.

(Seriously, what is with all the factions, dystopian authors? I just don't get it.)

I've picked up a few recently that I've enjoyed at varying degrees. I enthusiastically enjoyed Maureen McGowan's corporate conspiracy-meets-X-Men Dust Chronicles action-adventure series; I was profoundly let down by the promising water-contamination novel The Ward by Jordana Frankel (that book had so much promise!).

Catherine Linka's debut, A Girl Called Fearless, likely sits somewhere in the middle of that spectrum, yet it manages to shine a bit more brightly than many others because it's both thought-provoking and gripping.

It was strange being there, eating dinner with them. They knew that I knew, and I knew that they knew, and there we all were, a zombie, an assortment of werewolves and/or weredogs, and me, a nurse who was getting used to dealing with vampires. I was struck by how completely normal it felt to be with them, for all of our differences.

Nightshifted by Cassie Alexander

Dragons and vampires and zombies… oh my!

Cassie Alexander’s debut urban fantasy novel, Nightshifted, hits a sweet spot with an appealing mix of action, imagination and humor, with just the right dash of romance. 

I picked up Nightshifted on the recommendation of Angie, whose taste in Urban Fantasy seems to be pretty similar to my own. She promised that this book featured a jaded heroine who’s easy to root for and a gritty world, and did Nightshifted ever deliver. 

Edie has taken a nursing job in a secret ward, Y4, at a run-down county hospital. The patients there aren’t quite… normal. They’re paranormal beings of all sorts, and many of them are very, very dangerous. Despite the low pay and occupational hazards, Edie works there as part of a deal with some unsavory characters who promise to use their magical mojo to keep her addict brother off of drugs following a near-overdose. 

Edie’s stuck. 

Things get a whole lot worse when a “Daytimer” (a semi-vampire thing—it makes sense, trust me) dies during Edie’s shift, and she goes looking for Anna, a name he uttered with his dying breath. She stumbles upon some bad stuff, and accidentally kills a very nasty vampire in the process of rescuing Anna, who appears to be a teen girl (trust me, no one in the Nightshifted world is as they appear). As a result, Edie finds herself wrapped up in the paranormal underground, trying to save her own life. 

Edie is a fantastic narrator—she’s real and funny and prickly.