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Recommendation Tuesday started as a joke and is now an official thing. Basically, this is my way of making Tuesday a little more awesome. If you've got a book to recommend on this or any Tuesday, tweet me at @FullShelves and I'll help spread the word.
View all of the past recommendations over here.
I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose.
Let go of your preconceived notions of reality. Then imagine a new reality, one where you hear colors, taste words and see sounds. You understand your sensations exist on a plane that others do not experience, so you cloak yourself in a garb of false normalcy hiding your true self and your understanding of the world from others. Even love has a unique flavor and sound only you can know.
When the music stopped, I'd been afraid even to look at him, sure he could hear my rapid heartbeat as clearly as I could see his steady teal-green one. When he'd slid away from me and gotten up, the wanting inside me had ached so hot that I'd had to stifle a whimper. Inwardly I'd berated myself, not just for feeling more than I should but for coming so close to sowing it.
R.J. Anderston creates a portrait of extraordinary senses in Ultraviolet beginning with her awakening in a mental institution where she pieces together her tangled memory to discover what occurred to bring her there. She's stunned by her condition, by the yellow-gray stink of sweat surrounding her. She believes her worst nightmare as become her present reality.
Love is real and real love lasts. I used to feel sorry for people who didn’t believe in it—the people who were lonely with someone else or lonely alone. For awhile I was was one of the lucky ones.
C.K. Kelly Martin, who’s written several marvelous young adult novels, couldn’t find a traditional publisher for her first book for adults, Come See About Me.
According to Martin, no one knew how to market a novel with a 20 year old protagonist. Come See About Me certainly isn’t a teen novel, it’s mature and addresses themes that are not seen in the YA category. And since “Adult” fiction typically features older narrators, not a recent college dropout, it couldn’t be marketed as “Adult.” Essentially, a marketing problem* prevented this novel from hitting bookstore shelves.
Luckily for us, Martin couldn’t keep to herself the story of Leah, a young woman who’s life has wholly stalled following the death of her boyfriend, Bastien, who was killed while crossing the street in Toronto. She flakes on her job, fails out of school, hides from her friends and family—she can’t move forward because of the loss. She wants to be alone with her memories and sadness over what should have been, over their lost future together.
Alone is what’s easier. Everyone else would prefer that I pretend my life hasn’t been hollowed out. They believe their expectations should carry some weight with me. Only Bastien truly carries any weight and people try to use that fact against me too and tell me what he would want for me. Some of the things they say about that might be right, but since he’s not here he doesn’t get to decide how I should handle his absence.
The early chapters, in which Leah recounts her relationship with Bastien, were incredibly difficult for me to read. The two went to high school in British Columbia together, though they weren’t even friends—acquaintances is a better description—and connected later, when they both went to college in Toronto. Their love was the forever sort, not the college dating temporary sort.
C.K. Kelly Martin is one of my favorite “sleeper” young adult authors.
It boggles my mind that her work is not more widely known. The Lighter Side of Life and Death is an outstanding example of authentic, engaging teen male point of view, while One Lonely Degree is a heartwrenching story of friendship. (I haven’t read I Know It’s Over, as it deals with teen pregnancy and I usually avoid that theme, but many folks have told me it’s excellent as well.)
