But then again, one kiss from someone could mean more than a two-year relationship with someone else. A kiss could change your life.
Sarra Manning’s Unsticky is a novel I recommend all the time—I love how Manning plays with common tropes and archetypes, subverting them into fresh and witty stories. Her newest novel, It Felt Like a Kiss, is no different. And, it has the added bonus of being something of a companion novel to Unsticky, as Vaughn from that novel plays an important role in this one as the owner of the art gallery where It Felt Like a Kiss protagonist Ellie Cohen works.
Ellie lives a carefully-produced life, a reaction to her chaotic, bohemian upbringing with her musician mother.
...when all around you was chaos, you needed to find some area of your life that you could control and let that define you. It didn’t matter that she was on free schoolmeals and had a mother who wore leopard-print catsuits and dressed her in charity-shop clothes, when Ellie had the neatest handwriting in her class and was homework monitor five years in a row. Or when she had a tidier bedroom and better manners than her many cousins, who all lived in two-parent, semi-detached splendour in Belsize Park. When your boss was giving you hell and your flatmates were fighting and you’d been dumped again, there was something cathartic and peaceful in spending the afternoon in your pristine, minimalist office, rearranging your reference books by height and colour. So, a girl who could parade around Glastonbury in a spotless white dress was a girl who was calm and in control. Sometimes you had to fake it to make it.
